No one has equaled Sargent’s mastery of color, light, and form. Through his direct painting technique, he achieved his signature spontaneous brushwork and lively compositions.
Although all of Sargent’s work appears to be spontaneous and direct, this doesn’t mean great preparation did not go into preparing for painting. He often created preliminary sketches as studies — sometimes on the canvas, sometimes on separate paper. When actually creating the painting, he took advantage of his great skill to draw directly with the brush. His spontaneous painting is best characterized as “painting with slow haste.”
According to Thomas, if you wish to paint like Sargent, be more like Sargent! Put paint down with conviction. And put enough paint down to be able to push it around. Be willing to scrape off any area that isn’t working, confident in the knowledge that you can reconstruct the tricky passages quickly and in a better way. Just think, those who didn’t see you scrape that area will never be the wiser — they’ll believe you got it right the first time in a fresh and expressive way.
Of course, most artists who want to learn these techniques don’t want to copy Sargent, but they do want to learn his techniques to apply to their own artwork, creating a unique style.